Biography joplin scott treemonisha gunther schuller

Scott Joplin was the pre-eminent composer of piano ragtime. In fact, one of his first and most popular pieces, the “Maple Leaf Rag,” became one of the genre’s most influential mega hits. Joplin considered the ragtime a form of classical music meant to be played in concert halls, and he did not appreciate its association with dance halls and honky-tonk bars. As a scholar writes, “Although he primarily worked in a popular idiom, Joplin strove for a classical excellence in his music and recognition as a composer of artistic merit.” Besides composing more than 40 ragtime pieces, he also created a ragtime ballet and wrote two operas. Even more reasons to take a closer look at the “King of Ragtime and Opera Pioneer” and his music.

Scott Joplin: “Maple Leaf Rag”

Early Experiences

There is a good bit of scholarly disagreement as to when and where Scott Joplin was actually born. We do know that he was the second of six children born to Giles Joplin, a former slave from North Carolina, and Florence Givens, a freeborn African-American woman from Kentucky. His birth date is frequently given as 24 November , but that date has been recently challenged. As for his place of birth, both Texa


[Scott Joplin's Treemonisha; Original Cast Recording; Polygram ()]

The Scott Joplin page at tells of the production of Joplin's opera, Treemonisha, by the Houston Grand Opera, as orchestrated by Gunther Schuller. A visitor to the website has informed us that the work was first staged in by Morehouse College and the Atlanta Symphony. The following two paragraphs have been added to the Scott Joplin page:

Treemonisha
In Joplin published the opera Treemonisha. The work was said to contain some of his best music. One theater agreed to produce it, but later reneged. Treemonisha was first staged in a concert performance in Atlanta, Georgia by the Afro-American Music Workshop of Morehouse College and the Atlanta Symphony under Robert Shaw, conductor. Dr. Dominique-René de Lerma recalls: &#;The Atlanta production ran for two consecutive nights to full (and mixed) houses in late January This was the original version via T.J. Anderson.&#; The choreographer and stage director was the famed African American dancer Katherine Dunham. Uzee Brown, Jr. made his operatic debut in the role of Parson Alltalk.

Review
On January 30, The New York Times published a review by Harold C. Scho


Pine Apple Rag is a ragtime musical arrangement for piano composed by Scott Joplin in Although not as popular as the ragtime classic, "Maple Leaf Rag", it is one of Joplin's best works, featuring some surprisingly rich melodies and some thoughtful fingering, especially during the intro.[1] It is slightly different from the other ragtime compositions as it has a slightly lower tempo and a tropical accent throughout the song. Just like other rags, it has four sections, with the notation "ABCABCD".[2]

This song is a multi-strain ragtime march with athletic bass lines and offbeat melodies. Each of the four parts features a recurring theme and a steady bass line, standard for all ragtime compositions of the time.

As ragtime declined after Joplin died in , "Pine Apple Rag" was one of the many pieces that went down, until the ragtime revival of the s bought it back to the public eye, alongside all the other Joplin rags.

Scott Joplin liked eating fruits and other nutritional foods, which could be the reason why he composed so many rags titled after healthy foods, such as "Peacherine Rag", "Sugar Cane Rag" and yours truly "Pine Apple Rag", out of many.

Backg

Joplin&#;s biggest success, by far, was his still famous "Maple Leaf Rag." In the days before radio and records, music popularity was judged by sheet music sales. The "Maple Leaf Rag" sold over one million copies during Joplin&#;s life and continues to be one of the most popular works for piano in our time. Besides rags, Joplin also wrote waltzes and marches for the piano. These were also popular styles in his day.

The Piano Music of Scott Joplin

When Joplin started writing his piano rags, the "rag" was a style of popular music known for it&#;s ragged rhythms and catchy melodies. The standard rag of his day had three parts and an unsophisticated harmonic structure. Most ragtime pianists played by ear and were entirely self-taught. As a youth Scott Joplin took lessons from a German musician who taught him how to read and write music and introduced him to classical piano works from Europe. Joplin&#;s goal with his rags and other works for piano was to write works for the piano that were on the level of the European classics. Thus he wrote four part rags with sophisticated harmonies, key changes, and rhythmic structures more complex than those of the standard rags of his da


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